OperaSIG
Page
Guide
What We Do
The
phrase "Opera Special Interest Group" (a/k/a "OperaSIG")
seems a little grandiose for what we actually do.
No,
we don't have any:
-
dues;
-
officers (well,
"Captain-Commander" is a pretty good self-appointed office -- not
that it pays anything, or has any honor, of course);
-
newsletter;
-
membership
roster; or
-
minimum
attendance requirements.
This
webpage is pretty much it.
What
we do offer is:
-
one or two
Saturday-morning events each month during the fall-winter-spring opera season
each year (closely coordinated with Metropolitan
Opera events), and
-
an email reminder service
for these events.
For
bureaucracy, though, you're stuck with this webpage.
The Event, Dates and Times
What
do we actually do? Opera SIG goes to Metropolitan
Opera: Live in HD! This is the Saturday
matinee (well, mid-morning, West Coast time) of the Metropolitan
Opera, live and in High-Definition big-screen
audio-visual cinematic splendor! The Met now broadcasts the
live performance to selected high-tech theaters worldwide. We go to the
very-high-tech theater at "The District" in Tustin.
Tustin is one of the less-crowded venues in Orange County, which is why we meet there instead of (say) Irvine. Sell-outs are quite rare. If you worry about such
things, you can buy
advance tickets on line.
The show usually starts at 10:00 AM, and we gather at the Panera
Bread at 9:00 AM (across the fountain from the
theater) to chat and drink coffee and have one of their delightful pastries. Look for my smiling
face.- That's the usual starting time. Götterdämmerung and Manon start an hour early. OK, Wagner I can understand, but Massenet? Ah, well. "Life is short; opera is long." Deal with it. Show up
early at Panera, too -- maybe 8:30 or 8:45. Not 8:00. I mean, who even gets out the door much before 8:00 on a Saturday?
- A
half hour before showtime we wander over to the theater so that we can get
decent seats. Cinemas -- those barbarians! -- invariably use festival seating
rather than the assigned
seating system which is used by the Met (and by every other opera company
on the planet).
After
the show, we walk back to Panera and have a late lunch. My traditional
conversation starter is, "So, what did you think of the sets in Act 2,
Scene 1?". Feel free to talk religion and/or politics -- topics which have
a way of creeping into The Opera.
Opera SIG meets as follows
for the remainder of the 2011-12 season:
January 21, 2012: The Enchanted Island – New Production (breakfast at 9:00, show starts at 10:00)
In one
extraordinary new work, lovers of Baroque opera have it all: the
world’s best singers, some of the finest music of the Baroque masters,
and a story drawn from Shakespeare. In this highly-anticipated world
premiere, the lovers from A Midsummer Night’s Dream are shipwrecked on
the other-worldly island of The Tempest, providing the dramatic setting
for a fantastic journey. Inspired by the musical pastiches and masques
of the 18th century, The Enchanted Island showcases glorious arias and
ensembles by Handel, Vivaldi, Rameau, and others, and a new
libretto by Jeremy Sams. Eminent conductor William Christie leads an
all-star cast with David Daniels (Prospero) and Joyce DiDonato
(Sycorax) as the formidable foes, Plácido Domingo as Neptune, Danielle
de Niese as Ariel, and Luca Pisaroni as Caliban. Lisette Oropesa and
Anthony Roth Costanzo play Miranda and Ferdinand. The dazzling
production is directed and designed by Phelim McDermott and Julian
Crouch (Satyagraha and the Met’s 125 anniversary gala).
February 11, 2012: Wagner’s Götterdämmerung (breakfast at 8:30, show starts at 9:00 -- ONE HOUR EARLY)
With its
cataclysmic climax, the Met’s new Ring cycle, directed by Robert
Lepage, comes to its resolution. Deborah Voigt stars as Brünnhilde and
Gary Lehman is Siegfried—the star-crossed lovers doomed by fate. Fabio Luisi conducts.
April 7, 2012: Massenet’s Manon – New Production (breakfast at 8:30, show starts at 9:00 -- ONE HOUR EARLY)
Anna Netrebko’s
dazzling portrayal of the tragic heroine in Laurent Pelly’s new
production travels to the Met from the Royal Opera House, Covent
Garden. Piotr Beczala and Paulo Szot also star, with the Met’s
Principal Guest Conductor Fabio Luisi on the podium.
April 14, 2012: Verdi’s La Traviata (breakfast at 9:00, show starts at 10:00)
Natalie Dessay
will put on the red dress in Willy Decker’s stunning production, in her
first Violetta at the Met. Matthew Polenzani sings Alfredo, Dmitri
Hvorostovsky is Germont, and Principal Guest Conductor Fabio Luisi is
on the podium.
The Place
AMC Tustin Legacy 14
2457 Park Avenue
Tustin, CA 92782
From
either the 5 or the 405, exit at Jamboree and head toward the other
freeway. At Barranca, turn toward Los Angeles (right if from the 5,
left if from the 405) and go two stop lights to Tustin Ranch Road. Turn
right and go to the second parking lot entrance on the right
(“Target-AMC-Lowes” sign). The theater is at the far right corner of
the lot.
WARNING! Do not be tempted to turn into the shopping center at the first
light, "The District". Parking is very bad, and you will have to cross
a heavily-trafficked road to get to the theater. Don't do it.
Here
is a map.
Membership Requirements (such as they are)
OperaSIG
is, technically, a Special Interest Group (SIG) of Orange County Mensa.
However, it by no means limits its membership to:
-
those with
tickets for Saturday's performance; nor to
-
card-carrying
members of Mensa (whether of Orange County Mensa, American Mensa, or Mensa
International).
Our
only limitations are that:
-
you must love
opera; and
-
you must at
least tolerate breaking bread with a group of highly-intelligent opera lovers.
Not a Ticket-Holder for Today's Performance?
Some
of you may have seen a similar performance before our SIG meeting
Saturday morning, and therefore not be interested in rolling out of bed at 8:00 AM on a Saturday morning. If you'll be within easy
driving distance of “The District” at Tustin, then we'd love to break bread with you after the
show (and after the coffee has kicked in). Regale us with comparisons between
your experience and our description of the Met's latest effort.
Some
of you may be seeing the performance as a rebroadcast after our
SIG meeting Saturday morning, and therefore not be interested in rolling out of
bed at 8:00
AM on a Saturday morning. These
“encore” presentations are usually a few weeks later, on a Wednesday evening. If
you'll be within easy driving distance of “The District” at Tustin, then we'd love to break bread with you after the
show. We'll regale you with what to look for in the Met's latest
effort
Would You Like an Email Reminder?
Would
you like an email reminder of future OperaSIG events? Send me an email (or hand me your email
address at our late lunch) and I'll hook you up with our yahoo-group.
If you're web-savvy, feel free to sign up (or sign out!) directly. You'll get
an automatic reminder three days before each event -- and another
reminder one day before the event.
Yes,
you can leave the yahoo-group (and stop getting notices) any time you want. If
you're having difficulty signing out directly, then send me an email; I'll sign you out
myself. A successful OperaSIG is good; having good friends remain good friends is
even better.
I
welcome comments on this
reminder service.
Disclaimer
It's
hard to imagine OperaSIG's activities as being particularly controversial. However,
no, we don't speak for:
None
of these entities has any control over us, nor has any responsibility
(financial or otherwise) for what we do.
Well,
yes, Orange County Mensa sometimes gives us a link from its website, and a
mention in its newsletter. Sometimes. When its Webmaster (and/or Calendar
Editor) feels like it and/or has some space.
Sheesh!
Lawyers! And I'm a lawyer myself!